In Garachico they tame AI to make it sustainable

It is hard to find a festival in Spain that is better woven into its environment than the Canary Islands International Environmental Film Festival (FICMEC), which for 28 years has taken place in the north of the island of Tenerife every spring. To be able to watch films in the open air, lulled by the ocean breeze and the scent of the sea, surrounded by an unreal volcanic landscape, is one of the things I have enjoyed the most in my career as a journalist and film programmer. In the Isla Baja, the existence of a corner of the world shaped by nature’s whim and the constant battle and clash between the sea and the volcanoes is celebrated like nowhere else.

And every edition of this festival celebrating nature and cinema features the best films of the year, brought in from all corners of the world. These are films that honor the environment and its protection, the heroes who defend it, and the individuals who teach us to treasure it. These films show how sustainability makes sense when it works to ease the relationship between human beings and their environment. And what an environment!

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There are those among us who have enjoyed the privilege of attending the FICMEC International Festival (between the 28th and 31st of May and in Icod de los Vinos from the 4th to the 7th of June), have fully participated in its programming, and bathed in its natural pools. We have been “baptized”, inoculated forever with an activist’s sense of commitment to environmental sustainability and environmental cinema.

I will never be able to thank my friend David Baute enough for repeatedly inviting me to Garachico, as it is because of his influence and that of his festival that I dared create an environmental cinema section in the Semana Internacional de Cine de Valladolid (SEMINCI), called Cine & Cambio Climático. I also created the Espiga Verde award for best film for this category. Baute was the “master of ceremonies”.

If the influence of AI on the environment is being debated at FICMEC, I have no doubt that the marine and volcanic emissions of the area will help to garner a better understanding of the technology, so that we are able to ultimately tame it or, at the very least, manage to make it more sustainable.

Javier Angulo. Journalist, Film Programmer, and former Director of SEMINCI.

Javier Angulo. Periodista, Programador de Cine y ex director de la SEMINCI.

Registrations

VULCANALIA

VULCANALIA

FOTOSÍNTESIS

FOTOSÍNTESIS

JUGANDO EN VERDE

JUGANDO EN VERDE

LIST OF WINNERS 2025

  • Largometraje ficción 2025, Mejor largometraje de ficción 2025

    Gala Gracia / 92 min. / 2024 / Spain

  • Largometraje ficción 2025, Mención especial largometraje de ficción 2025

    Franco García Becerra / 82 min. / 2024 / Peru

  • Largometraje Documental 2025, Mejor largometraje documental 2025

    Robin Petré / 98 min. / 2025 / Spain

  • Largometraje Documental 2025, Mención especial largometraje documental 2025

    Carmen Rodríguez / 98 min. / 2025 / Spain

  • Cortometraje documental 2025, Mejor corto cocumental 2025

    Alison McAlpine / 15 min. / 2024 / Canada, Chile

  • Cortometraje Ficción y Animación 2025, Mejor corto ficción 2025

    Ed Antoja / 10 min. / 2024 / Spain

Brote Awards 2025

Hilda-Flavia-Nakabuye

Brote Environmental Activism Award:
Hilda Flavia Nakabuye

Yuima-Nakazato

Artistic Brote Award:
Yuima Nakazato

TERESA-GUERRERO

Brote Comunicación Award :
Teresa Guerrero

Marta-Olazabal

Special Brote Award:
Marta Olazabal

Timanfaya

BROTE CANARIAS AWARD:
Timanfaya National Park

Marta-Breto

Brote Photography Award:
Marta Bretó

Pacchapic

Young Brote Award:
Paccha Turner-Chuji

Company-Logo_Herobeat-Studios

Greenplay Brote Award:
Herobeat Studios

MULTIMEDIA

#FICMEC2022

#FICMEC2022

#FICMEC en El Escarabajo Verde de La 2

#FICMEC Pepe Dámaso

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